JACK ET AL (1970)
8mm, color, sound on tape, 9:45 (if 24fps) or 14:30 (if 16fps)
ONCE IS ENOUGH (1972)
8mm, color, sound on tape, 12.5m (if 24fps) or 18.5m (if 16fps)
ALSO (1972)
8mm/16mm, color, sound on LP, 5.5m
INSIDE DOUBT (1972) (w/ Michael Rudnick)
16mm, color, sound, 6.5m
FACE THE FACTS (1975) (w/ SFAI students)
Super 8/16mm, bw, sound, 7.5m
DR. HAWAII (1976) (w/ Michael Rudnick)
16mm, bw & color, sound, ca. 45m
ARREST THE HARVEST! (1979) (w/ Michael Rudnick)
16mm, double projection, color, live music, 7m
Shown once in 1979, then titles added in 1997 when shown again.
INTERMISSION (aka INNERMISSION) (1980) (w/ Michael Rudnick)
16mm, color, sound, 1.5m
PARADISE OF THE DAMNED (1980)
16mm, color, sound, 3m
JUST ANOTHER GIRL (1982)
16mm, bw & color, sound, 4m
RETERNITY (1982)
16mm, bw & color, sound, 6m
VESPUCCILAND, THE GREAT AND FREE (1982)
16mm, color, sound, 3m
KUDOS SNAFU (1983)
16mm, color, sound, 3m
THINKING A VIEW (1983) (w/ Michael Rudnick)
16mm, color, sound, 4.5m
This can be considered two separate films – Thinking a View I and Thinking a View II, but they seem to have only been shown together.
TILL MY HEAD CAVES IN (1976/83)
8mm/16mm, bw & color, sound, 4.5m
EXCLAIM HER LIMITLESS WISDOM (1984)
16mm, color, sound, 2m
BUSHES OF THE RHINELAND (1985)
16mm, bw & color, sound, 3m
GO LIKE THIS (1985)
16mm, bw, sound, 4m
BABUBA (1986)
16mm, color, sound, 8m
NOW THIS (1987)
16mm, bw, sound on tape, 24fps, 4m
STRAIGHT TO HELL! (1987)
16mm, color, silent 24fps, 5 seconds
SOSUEME (1987)
16mm, bw, sound, 6.5m
M.T.X.S. (1988)
16mm, color, sound on tape, 24fps, 2.5m
AUTUMNAL DIPTYCH (1989)
16mm, color, sound, 5.5m
XO (1990)
16mm, color, sound on tape, 24fps, 3.5m
NECTAR OF THE CYCLOPS (1990)
video/16mm, color, sound, 11m
EVERY THING IS GOING TO BE ALL RIGHT (1991)
16mm, color, sound on tape, 24fps, 3.5m
LICK MY BLISTERS (1994)
16mm, bw & color, sound on tape, 24fps, 4m
SURRENDER (1995) (w/ Michael Rudnick)
16mm, bw, sound, 3.5m
BAGLIGHT (1996) (w/ Michael Rudnick)
16mm, color, sound, 4m
THE EVIL VEHICLE OF ACCOMPLISHMENT (1997)
16mm, color, sound, 5m
BLUDGEON: THE MOVIE (1998)
16mm, color, sound on tape, 24fps, 30 seconds
2001bc (1999) (w/ Michael Rudnick)
35mm, color, live music soundtrack, 3m
CHARCOAL NARCISSUS (1999) (w/ Michael Rudnick)
35mm/16mm, bw & color, sound, 2.5m
Originally shown with live music, there is also an 18fps 16mm version with sound on tape, as well as a version with optical soundtrack.
STUPOR MUNDI (1999)
16mm, bw, live music, 10m
This film was originally made to be projected with a live score composed and performed by Nik Phelps. It can also be performed by other musicians working from Phelps’ sheet music or other live music.
SPASMS OF THE SPECTRUM (1999-2000) (w/ Michael Rudnick)
16mm, bw/color, sound on tape, 18fps, 4.5m
This film is made entirely of different shaped holes punched into black leader. It is meant to be projected at 18fps, with a prismatic filter in manipulated in front of the projector to create a rainbow effect, and sound played from a separate cassette.
FOOTAGE (2000) (w/ Michael Rudnick)
16mm, bw, sound on tape, 18fps, 5.5m
MERCIFUL & COMPASSIONATE? (2001)
video, color, sound, 3.5m
PSYCHO PORPOISE (2002)
16mm, color, sound, 2.5m
There are two versions of this piece: a positive “red” version and a negative “blue” version. The blue version was made by striking a color print from the red/positive original. According to the filmmaker, the two versions “have been shown separately and simultaneously (with surround sound at the Exploratorium).”
THOUGHTLESS (2002) (w/ Michael Walsh)
16mm, color, silent 18fps, 4m
NECTAR OF THE CYCLOPS II (THE STENCH OF SPAWN) (ca.2007)
digital, color, sound, 12m
LIGHTSTRUCK 